Cinematic Action Editing in Photoshop: What Serge Ramelli's Parkour Short Teaches Us About Speed and Style
I built my first Photoshop action at 26, and I genuinely have not manually repeated a task since. That is not a brag. That is a philosophy. If I do something twice, I automate it. If I do it three times, I build a system around it. So when a tutorial crosses my desk that blends creative filmmaking instincts with deliberate, repeatable post-processing decisions, I pay attention. This one caught me at the right moment.