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Why I'm Starting Every Landscape Edit with Lightroom's Adaptive Color Profile Now
Video Tutorials

Why I'm Starting Every Landscape Edit with Lightroom's Adaptive Color Profile Now

I’ve spent fifteen years watching editors reach for presets the moment a raw file hits the screen. I get it. Presets are fast, they’re consistent, and when you’re processing a hundred images for a client, speed matters. But presets have a fundamental problem: they apply a fixed look to images that are all fundamentally different. What works on a golden-hour desert shot falls apart on a flat, overcast forest scene. I’ve been hunting for a better starting point for a while, something that adapts rather than overrides.

Stop Freezing On Location: A 5-Step Composition Workflow That Actually Works in the Field
Video Tutorials

Stop Freezing On Location: A 5-Step Composition Workflow That Actually Works in the Field

I’ve spent fifteen years telling clients exactly what their images need. Stronger subject placement. A leading line. Something in the foreground to create depth. The advice rolls out automatically. But landscape photography is a different beast entirely, and for a long time I was humbled by it every single time I went out with my own camera. I knew all the principles. I just couldn’t apply them fast enough when I was standing in a river at golden hour with cold water in my boots and fading light overhead.

One Click to Clean: Photoshop's AI Distraction Removal Tools Actually Work
Video Tutorials

One Click to Clean: Photoshop's AI Distraction Removal Tools Actually Work

Every week I’m handing off images to ad agency clients who need clean, distraction-free backgrounds. Power lines behind a product shot. Pipes crossing a portrait. A random bystander who wandered into a lifestyle image at exactly the wrong moment. For years, my go-to fix was the Clone Stamp tool paired with a carefully tuned Healing Brush action I built to speed up the repetitive parts. It worked. It also took time I often didn’t have.

The Photoshop Slice Effect That Takes 5 Minutes and Looks Like It Took All Day
Video Tutorials

The Photoshop Slice Effect That Takes 5 Minutes and Looks Like It Took All Day

There’s a category of client request I’ve learned to dread over my fifteen years in commercial work: “Make it look editorial. You know, interesting.” That’s it. No reference image, no art direction, just vibes. I’ve built a small library of go-to effects I can reach for in those moments - effects that look considered and intentional without requiring a three-hour compositing session. The portrait slice effect is one of the best of them.

How to Turn a Real Lipstick Kiss Into a Custom Photoshop Brush (Step-by-Step)
Video Tutorials

How to Turn a Real Lipstick Kiss Into a Custom Photoshop Brush (Step-by-Step)

Custom brushes are one of those Photoshop tools I consistently underestimate. I’ve built actions that call brushes, built presets around brushes, and tracked the hours saved because of brushes, but I rarely stop to think about making them from scratch using real-world source material. That’s what pulled me into this tutorial. In this Aaron Nace (PHLEARN) tutorial, Watch the full tutorial on YouTube, he walks through the process of scanning an actual lipstick kiss from paper, cleaning it up in Photoshop, and converting it into a reusable custom brush.

Photoshop's New AI Actions Panel Is the Biggest Workflow Shift in a Decade - Here's What It Actually Does
Video Tutorials

Photoshop's New AI Actions Panel Is the Biggest Workflow Shift in a Decade - Here's What It Actually Does

I’ve been tracking time saved by Photoshop actions in a spreadsheet since 2014. Over 2,400 hours recovered. That number only stays meaningful if I keep paying attention when something genuinely changes the game - not just tweaks, but structural shifts in how the tool works. The redesigned Actions panel in Photoshop Beta is one of those shifts. In this Aaron Nace (PHLEARN) tutorial, Watch the full tutorial on YouTube, Aaron walks through a brand new Actions interface that combines AI-driven suggestions with a searchable library of thousands of built-in actions.

Back to School, Back to Basics: What Tony & Chelsea Northrup's Sale Teaches Us About Investing in Your Photography Education
Video Tutorials

Back to School, Back to Basics: What Tony & Chelsea Northrup's Sale Teaches Us About Investing in Your Photography Education

Every September I do a version of the same audit. I open my spreadsheet - yes, the one tracking saved hours - and I look at which tools are pulling their weight and which ones are collecting digital dust. After fifteen years running post-production for ad agencies and e-commerce clients, I’ve gotten ruthless about this. Education and tools that don’t compound in value get cut. The ones that pay for themselves ten times over?

How Photoshop Actions Actually Work (And Why Most People Build Them Wrong)
Workflows & Automation

How Photoshop Actions Actually Work (And Why Most People Build Them Wrong)

The Day I Stopped Doing Things Twice I was 26, working in a commercial studio in Chicago, and someone handed me a folder of 200 product images that all needed the same crop, the same canvas size, and the same sharpening pass before they went to the client. No one told me about actions. I just started doing it manually, one file at a time, and by image 47 I wanted to quit photography entirely.

Kill the Clutter: A Working Photographer's Guide to Removing Distractions in Photoshop
Video Tutorials

Kill the Clutter: A Working Photographer's Guide to Removing Distractions in Photoshop

Distracting backgrounds are the silent killers of otherwise great commercial shots. I’ve been doing post-production work for ad agencies and e-commerce brands for long enough to know that a stray power line, a piece of reflective tape, or a stretch of chain-link fence can torpedo an image that the photographer spent an hour lighting perfectly. The fix usually takes less than three minutes in Photoshop, but only if you reach for the right tools in the right order.

How to Actually Remove Tourists and Distractions from Travel Photos (A Photoshop and Field Strategy Guide)
Video Tutorials

How to Actually Remove Tourists and Distractions from Travel Photos (A Photoshop and Field Strategy Guide)

I spent a long time thinking that tourist removal was purely a post-production problem. Set up the tripod, shoot the famous landmark, then spend an hour cloning out strangers in Photoshop. After 15 years of commercial work, I know better now, but I still catch myself skipping the field discipline and paying for it at the computer. That habit got challenged pretty directly when I watched Scott Kelby walk through his approach in this KelbyOne tutorial.

Shooting RAW Street Photography with an Action Cam: 3 Creative Techniques Worth Stealing
Video Tutorials

Shooting RAW Street Photography with an Action Cam: 3 Creative Techniques Worth Stealing

Most of my work lives inside Photoshop. I’ve built actions that compress hours of post-production into a single keystroke, and I’ll happily geek out about batch processing over a cup of coffee. But every now and then something lands in my feed that reminds me the best post-production starts before you ever open Lightroom. In this Pierre T. Lambert tutorial, he takes the DJI Osmo Action — a small, wide-angle action camera not typically associated with serious stills work — out onto city streets and challenges himself to make compelling photographs with it.

How I Built a Batch System That Processed 500 Product Shots in One Afternoon
Workflow Automation

How I Built a Batch System That Processed 500 Product Shots in One Afternoon

One Friday afternoon a few years back, I had 500 product shots sitting in a folder, a client deadline on Monday morning, and a very specific list of deliverables: web-optimized JPEGs at 1200x1200px, print-ready TIFFs at 300dpi, and white-background composites for an e-commerce catalog. In a previous life, that job would have eaten my entire weekend. Instead, I spent Saturday morning building a system, ran it Saturday afternoon, and watched a progress bar do the work while I made lunch for my kids.