What GoPro's Strategic Pivot Means for Action Camera Workflows

What GoPro's Strategic Pivot Means for Action Camera Workflows

What GoPro’s Strategic Pivot Means for Action Camera Workflows I’ve been watching GoPro’s struggles for a while now, and I’ll be honest—the announcement of their merger with Starman Optical caught me off guard. But the more I dug into what this means for content creators, the more I realized this could reshape how we think about action camera workflows entirely. The Financial Reality Nobody Wanted to Discuss Let’s cut through the corporate speak.

Why Dyson's New Camera Toothbrush Matters for Content Creators (Yes, Really)

Why Dyson's New Camera Toothbrush Matters for Content Creators (Yes, Really)

Why Dyson’s New Camera Toothbrush Matters for Content Creators (Yes, Really) I’ll be honest—when I first heard that Dyson released a toothbrush with a built-in live camera, my initial reaction was skepticism. At $499, it seemed like a solution searching for a problem. But after thinking about it more, I realized this gadget actually highlights something fascinating about how cameras are becoming embedded in unexpected places, and what that means for our workflows as content creators.

The Plugin Tax: How to Audit What's Actually Running in Your Photoshop Workflow

The Plugin Tax: How to Audit What's Actually Running in Your Photoshop Workflow

Last spring I invoiced for a retouching project that should have taken eight hours. It took eleven. Not because the work was harder than expected, but because three separate plugins were fighting each other in my filter stack, and I spent two hours troubleshooting render artifacts that turned out to be a masking conflict between Luminar Neo and a legacy Nik filter I had forgotten was even installed. Two hours. Gone.

Camera Prices Are Climbing and the Entry-Level Market Is Shrinking — Here's What Photographers Need to Know

Camera Prices Are Climbing and the Entry-Level Market Is Shrinking — Here's What Photographers Need to Know

Every few years something shifts in the gear market that quietly changes how I advise clients on equipment budgets. I’ve been doing commercial post-production for fifteen years, and I’ve watched the DSLR era peak, mirrorless cannibalize it, and smartphone cameras eat the bottom of the market alive. But what’s happening right now feels different, and I wasn’t fully tracking the cause until I sat down with this Tony & Chelsea Northrup breakdown.

The Manual Glow Effect That Still Beats Every AI Filter I've Tried

The Manual Glow Effect That Still Beats Every AI Filter I've Tried

Client work has a way of humbling you. A few months back I was finishing a batch of lifestyle shots for a skincare brand, and the art director kept circling back to one note: “Can we make the light feel softer? More… luminous?” I’d already done my standard luminosity mask pass. I’d tried a couple of glow overlays from my preset library. None of it had the right quality. It looked processed rather than photographic.

What Professional Workflow Tools Get Wrong (And How to Fix It)

What Professional Workflow Tools Get Wrong (And How to Fix It)

The Gap Between What We Build and What Photographers Need I’ve spent years reviewing Photoshop actions and presets, and I’ve noticed a consistent problem: many tools are designed in isolation. Developers build features they think photographers should want, then wonder why adoption lags or workflows feel clunky. It turns out I’m not alone in noticing this disconnect. Conversations with leading software companies reveal something interesting—the ones creating genuinely useful tools aren’t relying on guesswork.

When Action Cameras Meet the Cosmos: What DJI's Space Mission Means for Content Creators

When Action Cameras Meet the Cosmos: What DJI's Space Mission Means for Content Creators

When Action Cameras Meet the Cosmos: What DJI’s Space Mission Means for Content Creators I’ve been following DJI’s latest achievement with genuine fascination—not just because it’s impressive engineering, but because it tells us something crucial about where content creation is headed. The company recently sent multiple Action 6 cameras (along with an unreleased Osmo 360 II) aboard China’s Zhuque-3 reusable rocket, and they came back intact after enduring temperatures that would vaporize most equipment.

Why Digital Security Matters for Your Creative Workflow

Why Digital Security Matters for Your Creative Workflow

A Wake-Up Call for Creative Professionals I’ve been following some interesting developments in the tech world lately, and honestly, they hit different when you’re someone who works with digital assets for a living. A significant coalition of major technology companies—including OpenAI, Google, and many others—recently came together to push for a unified approach to cyber defense. While this might seem like corporate PR on the surface, I think there’s something here that matters to us as photographers, designers, and creators.

Why Your Photoshop Presets Keep Failing You (And How to Build Ones That Actually Stick)

Why Your Photoshop Presets Keep Failing You (And How to Build Ones That Actually Stick)

I still remember the afternoon a client sent over 500 product shots that needed consistent color grading, background cleanup, and a specific output size for three different retail platforms. Deadline: end of business. I had a preset pack I’d bought the previous month, something marketed as “professional e-commerce ready,” and I honestly thought I was set. Two hours in, I was manually fixing broken adjustments on roughly a third of the images.

Why Your Export Settings Are Quietly Destroying Hours of Editing Work

Why Your Export Settings Are Quietly Destroying Hours of Editing Work

The Problem Nobody Talks About Until It’s Too Late Last spring I delivered 340 product images to an e-commerce client, all exported through a Photoshop action I’d built specifically for their spec sheet. Correct color profile, correct resolution, correct file naming convention. Looked perfect on my end. Their web platform read 60 of them as oversized on upload, and their dev team spent two hours troubleshooting something that turned out to be a metadata issue I hadn’t accounted for.

Why Your Photoshop Export Settings Are Quietly Wrecking Your Client Deliverables

Why Your Photoshop Export Settings Are Quietly Wrecking Your Client Deliverables

There’s a specific kind of dread that hits when a client emails back asking why the jpegs you delivered look different on their end than they do on your monitor. I’ve been there more times than I’d like to admit, and almost every single case traced back to the same root cause: sloppy export settings baked into a Photoshop action that nobody had audited in months. After 15 years working in commercial photography studios and now running my own post-production consultancy, I’ve built, broken, inherited, and rebuilt more export workflows than I can count.

Turn Any Texture Photo Into a Photoshop Brush (The Right Way)

Turn Any Texture Photo Into a Photoshop Brush (The Right Way)

Texture brushes are one of those tools I kept meaning to build properly and kept bodging together at the last minute instead. I’d grab a photo, define it as a brush preset, and wonder why the result looked like I was stamping a visible square onto my composite. The edges were hard, the contrast was muddy, and the brush never quite blended the way I needed it to on client work.