How to Build Lightroom Presets That Actually Hold Up Across a Full Shoot
I have a spreadsheet. It tracks every hour I’ve saved through automation across fifteen years of post-production work. The number is sitting above 2,400 hours right now, and a significant chunk of that comes from one deceptively simple habit: building reusable Lightroom presets before I start any serious editing session. When a client sends me 300 product shots from the same studio setup, I don’t want to be dialing in the same warm tone and compressed contrast curve by hand 300 times.