Photoshop Tutorial

How to Turn a Real Lipstick Kiss Into a Custom Photoshop Brush (Step-by-Step)
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How to Turn a Real Lipstick Kiss Into a Custom Photoshop Brush (Step-by-Step)

Custom brushes are one of those Photoshop tools I consistently underestimate. I’ve built actions that call brushes, built presets around brushes, and tracked the hours saved because of brushes, but I rarely stop to think about making them from scratch using real-world source material. That’s what pulled me into this tutorial. In this Aaron Nace (PHLEARN) tutorial, Watch the full tutorial on YouTube, he walks through the process of scanning an actual lipstick kiss from paper, cleaning it up in Photoshop, and converting it into a reusable custom brush.

Smart Objects Done Right: How to Build Photoshop Campaigns That Update Themselves
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Smart Objects Done Right: How to Build Photoshop Campaigns That Update Themselves

If you work in commercial production long enough, you develop a sixth sense for fragile files. You know the ones. Five versions of a logo buried across twelve layers, each one manually resized, each one slightly different because someone eyeballed the transform. A client calls with a color change and suddenly you’re hunting through every PSD you built over the last three weeks. I’ve been there more times than I’d like to admit, and it’s the kind of workflow problem that quietly eats hours every month.

Fake Film Looks Are Everywhere. Here's How to Build a Real One in Photoshop.
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Fake Film Looks Are Everywhere. Here's How to Build a Real One in Photoshop.

Client work has a way of exposing your shortcuts. A few months back, an ad agency sent me a batch of lifestyle shots that needed a cohesive vintage treatment, and every AI-driven “film look” filter I tested came back looking like someone had described film photography to a machine that had never seen a photograph. Overly warm, crushed in the wrong places, grain that tiled like bathroom tile. I scrapped all of it and went back to building the effect by hand.

How to Record Photoshop Actions from Scratch (And Finally Stop Forgetting Your Own Techniques)
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How to Record Photoshop Actions from Scratch (And Finally Stop Forgetting Your Own Techniques)

There’s a specific kind of frustration that hits when you’ve developed a technique you genuinely love, used it a dozen times, and then six weeks later you’re staring at a blank canvas trying to reconstruct it from memory. That used to happen to me constantly in my early studio years. I’d nail a color treatment on a campaign, close the file, and by the next job, half the steps were gone.

The Pixel Stretch Effect Every Commercial Retoucher Should Know (And It Takes Under 5 Minutes)
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The Pixel Stretch Effect Every Commercial Retoucher Should Know (And It Takes Under 5 Minutes)

There’s a category of Photoshop effect that looks like it required hours of work but actually comes down to knowing which three tools to combine. The pixel stretch effect sits squarely in that category. I’ve been doing post-production work for ad agencies and e-commerce brands for fifteen years, and I still get a small thrill when a technique that looks this kinetic turns out to be this efficient. When a client wants energy, motion, something that reads as dynamic on a billboard or a web banner, this is exactly the kind of technique that earns its keep.

Build a Snow Brush in Photoshop from Scratch (And Actually Understand Why It Works)
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Build a Snow Brush in Photoshop from Scratch (And Actually Understand Why It Works)

Every December, at least one client asks me to add snow to a product shot or lifestyle image that was photographed in July. For years I licensed stock snow overlays, and they were fine, right up until they weren’t. The wrong flake size, the wrong density, a pattern that tiled visibly if you looked closely. The overlay approach is a patch, not a solution. What I actually needed was a brush I could resize, rescatter, and repaint non-destructively depending on the image.

How to Paint Realistic Splatter Effects Using a Custom Brush in Photoshop
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How to Paint Realistic Splatter Effects Using a Custom Brush in Photoshop

There’s a specific category of retouching request I get from ad agency clients that used to slow me down every single time: adding painterly, organic-looking elements to an otherwise clean photograph. Powder bursts, ink splashes, paint splatters. The kind of thing that looks effortless in the final comp but eats up an hour if you’re doing it by hand with a generic round brush. What I eventually figured out, and what this tutorial nails cleanly, is that the real solution lives inside Photoshop’s Brush Settings panel, a place most people open once, get confused by, and never return to.

Photoshop 2026's Game-Changing Adjustment Layers: A Complete Breakdown
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Photoshop 2026's Game-Changing Adjustment Layers: A Complete Breakdown

When Photoshop 2026 dropped, I immediately noticed something that made me genuinely excited: three adjustment layers that had been living in Lightroom finally made their way into Photoshop as native adjustment layers. This isn’t just a convenience update—it’s a legitimate workflow game-changer for anyone who edits photos seriously. In this excellent tutorial, Aaron Nace (PHLEARN) breaks down exactly how to use Photoshop’s newest adjustment layers: Color & Vibrance, Clarity & Dehaze, and Grain.

Master the Double Exposure Effect in Photoshop: A Complete Breakdown of Aaron Nace's Essential Technique
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Master the Double Exposure Effect in Photoshop: A Complete Breakdown of Aaron Nace's Essential Technique

I’ve always found the double exposure effect to be one of those techniques that looks incredibly complex but is surprisingly straightforward once you understand the core principle. In this excellent tutorial, Aaron Nace (PHLEARN) demonstrates exactly how to nail this effect in just two minutes—and today, I’m breaking down every step so you can master it yourself. What Makes a Double Exposure Work? Before jumping into the technical steps, let’s talk about why this effect works at all.