Video Tutorials
Depth Masking in Camera Raw Is the Portrait Separation Trick I Wish I'd Had Years Ago
I’ve been doing post-production for ad agencies long enough to remember when separating a subject from their background meant either a careful pen tool path or a lot of hoping the photographer nailed the depth of field in camera. Neither option was fast. Neither was particularly forgiving if the client came back three rounds later wanting changes. Recently I was working through a batch of corporate headshots where the photographer had shot everything on a relatively tight 85mm at f/2.