Photoshop's Remove Tool Just Changed How I Handle Distraction Cleanup on Client Work
Every commercial shoot ends with a folder of images that are 90% there. The light is good, the subject looks great, and then there’s a tourist walking through the background, or a web of power lines cutting across an otherwise clean skyline. For most of my career, fixing those problems meant careful selections, Content-Aware Fill, a lot of cloning, and the quiet acceptance that this was just part of the job.