Camera Profiles

Stop Starting From Flat: How Camera Profile Presets Fix Your Raw Import Workflow in Lightroom
Video Tutorials

Stop Starting From Flat: How Camera Profile Presets Fix Your Raw Import Workflow in Lightroom

Every photographer who shoots raw has had the same deflating moment. You nail a landscape shot. The back of your camera shows a punchy, saturated image with great contrast. You import it into Lightroom, and suddenly it looks like a flat, lifeless file that makes you question your career choices. Nothing changed in the field. What changed is that Lightroom stripped out the picture style your camera was applying to the JPEG preview and replaced it with its own default Adobe Standard profile.

How to Edit Aviation Photos in Lightroom: A Fast 5-Step Workflow That Actually Works
Video Tutorials

How to Edit Aviation Photos in Lightroom: A Fast 5-Step Workflow That Actually Works

Most of my clients shoot products or campaigns under controlled light. Aviation photographers get none of that luxury. They’re chasing fast-moving metal across unpredictable skies, handing off RAW files that are flat, noisy, and frequently lacking the contrast that makes a military jet look like it’s actually moving. When those files land in Lightroom, the edit has to work harder than usual — and it has to work fast. In this KelbyOne tutorial, photographer and educator Scott Kelby runs a blind edit on a reader-submitted A-10 Warthog photo, and the workflow he uses maps cleanly onto almost any aviation or airshow shot.

LUTs in Lightroom Are More Powerful Than You Think (Especially With a Profile Intensity Slider)
Video Tutorials

LUTs in Lightroom Are More Powerful Than You Think (Especially With a Profile Intensity Slider)

If you do any volume of editing, you have probably felt the friction of applying a LUT-based look to still photos. LUTs live comfortably in Premiere and DaVinci, but getting them to behave inside Lightroom has historically required workarounds that feel more like duct tape than a real system. That problem gets worse when you work with clients who want their product photography and video content to feel like they came from the same shoot.