Blending Photos and Graphics in Photoshop: What Aaron Nace's Workflow Taught Me About Working Smarter
Last month I was three days into a campaign for a Chicago ad agency that wanted product shots with an illustrated, graphic-novel-esque feel. Clean photography married to hand-drawn-style overlays, vintage textures, dramatic shadows that didn’t exist on set. My compositing workflow handled the heavy lifting, but I kept hitting friction at the illustration integration stage. The blending felt mechanical. The lighting lied. I knew the gap between what I was producing and what the client was imagining, and I didn’t love that gap.