Video Tutorials
Freeze It Right: What a Mexico City Soccer Shoot Taught Me About Flash Duration and Composite Lighting
There’s a specific problem that comes up constantly in commercial work: you need to photograph a subject in motion, under full control, against a background you’re going to swap out in post. The subject has a narrow window of availability. The shot has to work both vertically and horizontally. And the lighting needs to freeze movement with enough sharpness to survive a full-page print. I’ve set up variations of this scenario dozens of times for ad agency clients, and the details are what separate a usable image from a reshoot conversation.