Video Tutorials
Blending Photography With Graphics in Photoshop: What Aaron Nace's Workflow Taught Me About Working Smarter
I had a client brief land on my desk three weeks ago that I can only describe as “magazine cover meets concert poster.” The art director wanted photography treated like illustration, with textures layered into skin, graphic elements bleeding into the background, and a vintage treatment that still felt intentional and modern. I’ve been compositing for fifteen years. I know my way around a blend mode. But the specific intersection of photographic realism and graphic design language?