Cinematic Action Editing in Photoshop: What Serge Ramelli's Parkour Short Taught Me About Speed and Style

Cinematic Action Editing in Photoshop: What Serge Ramelli's Parkour Short Taught Me About Speed and Style

I’ve spent fifteen years in commercial studios where efficiency isn’t optional. Right now I’m deep in a run of action-sports campaign work for a Chicago ad agency, and the brief keeps pushing toward that kinetic, high-contrast look you see in parkour films and extreme sports content. So when I came across Serge Ramelli’s short action film featuring a character named Arthur, shot on the Canon 7D and 5D Mark II, I wasn’t watching it for entertainment.