Why Your Photoshop Export Settings Are Quietly Killing Your Delivery Speed
There’s a particular kind of frustration that comes from finishing a retouching job and then spending forty minutes exporting it. The creative work is done. The client is waiting. And you’re sitting there clicking through Save for Web dialogs like it’s 2009, manually typing in filenames, second-guessing your JPEG quality slider every single time. I’ve been doing commercial post-production for fifteen years. I’ve processed product shots for e-commerce catalogues, delivered layered comps to ad agencies, and built batch systems for studios running thousands of files a month.