Batch Processing

Beyond Record and Play: How Automation Scripts Took My Photoshop Actions From Good to Unstoppable
Workflow & Automation

Beyond Record and Play: How Automation Scripts Took My Photoshop Actions From Good to Unstoppable

The day I realized I had spent eight hours cropping and resizing the same 200 product images, manually, one at a time, I did not feel like a professional. I felt like a very expensive copy machine. That was about twelve years into my career, and the embarrassment of it pushed me to actually learn Photoshop scripting over a single obsessive weekend. I have not done that kind of repetitive work by hand since.

Why Your Photoshop Presets Are Probably Working Against You (And How to Fix That)
Workflow Optimization

Why Your Photoshop Presets Are Probably Working Against You (And How to Fix That)

The first Photoshop action I ever built was embarrassingly simple. I was 26, working in a commercial studio in Chicago, and I had just spent 45 minutes manually running the same three-step sharpening sequence on a set of product images. Same settings, same order, same result, every single time. When a senior retoucher walked past and asked why I wasn’t using an action, I didn’t have a good answer. I built my first one that afternoon.

Beyond Record and Play: How Photoshop Automation Scripts Actually Save Professional Time
Workflow Automation

Beyond Record and Play: How Photoshop Automation Scripts Actually Save Professional Time

The task was 200 product images. All of them needed the same crop, the same resize, the same output path. I sat down at 9am and started working through them manually because I hadn’t yet learned to build the solution I needed. By 2pm I had finished maybe 60, my wrist hurt, and I had made three cropping errors I’d have to go back and fix. That afternoon, I opened Google and searched “Photoshop batch processing.

How I Taught Photoshop to Do My Job (And What Happened When I Let It)
Workflow & Automation

How I Taught Photoshop to Do My Job (And What Happened When I Let It)

There’s a specific kind of misery that comes from doing the same crop 200 times in a single afternoon. I know this because I lived it, about fifteen years ago, sitting in a commercial studio in Chicago resizing product images one by one because nobody had set up a proper batch system. By image 140-something I started doing the mental math: at roughly 90 seconds per image, I was burning through time that could have been spent on literally anything else.

The Workflow Tools That Actually Survived My Commercial Studio (And the Ones I Quietly Abandoned)
Workflow & Automation

The Workflow Tools That Actually Survived My Commercial Studio (And the Ones I Quietly Abandoned)

There’s a specific kind of misery that comes from doing the same thing 200 times in a row. I know this because early in my career I spent an entire day cropping and resizing product images by hand, one file at a time, clicking the same four spots in the same sequence for eight hours straight. By hour six I had developed a genuine, personal grudge against the rectangular marquee tool.

Pixieset's New Photo Editor Could Finally Eliminate Your Multi-App Workflow Headache
News

Pixieset's New Photo Editor Could Finally Eliminate Your Multi-App Workflow Headache

The Workflow Problem Nobody Talks About I’ve been watching the photography software landscape evolve for years, and there’s one frustration I hear constantly: photographers spend half their time switching between applications. You’re culling in Lightroom, editing in Photoshop or Capture One, then jumping into your client delivery platform to organize galleries. Each handoff costs time and mental energy. Pixieset, which already handles client galleries and booking management, just made a bold move to simplify this mess.

Why Your Photoshop Export Settings Are Quietly Destroying Your Workflow
Workflow Optimization

Why Your Photoshop Export Settings Are Quietly Destroying Your Workflow

The first time I lost a client over export settings, I didn’t even realize that’s what had happened. I’d delivered 80 retouched product images for a mid-size e-commerce brand, everything looked great on my end, and then their developer came back three days later saying half the files were too large for their CMS and the color profiles were wrong for web. I had to re-export the entire job manually, one file at a time, because I’d never bothered to build a proper export action.

Five Photoshop Plugins I've Actually Used on Deadline (And Two I Quietly Uninstalled)
Plugin Reviews

Five Photoshop Plugins I've Actually Used on Deadline (And Two I Quietly Uninstalled)

Last October I was three hours into a 200-image product delivery for a Chicago ad agency when their art director called to say the background color needed to shift across the entire batch. Not a huge ask, except I’d already masked and composited every single shot onto a warm gray that was now the wrong warm gray. Without the adjustment layer structure I’d baked into my action set, that call would have ended my afternoon.

Beyond Record and Play: How Automation Scripts Actually Transform Photoshop Workflows
Workflow Automation

Beyond Record and Play: How Automation Scripts Actually Transform Photoshop Workflows

The job that broke me was a Tuesday in February, maybe eight years into my career. I had 200 product images that all needed the same crop, the same canvas resize, and a filename with a specific SKU prefix. Eight hours later, I had finished them. Eight hours of clicking the same five buttons, in the same order, 200 times. I went home, opened my laptop, and spent the next four hours learning JavaScript for Photoshop.

How I Built a Batch System That Processed 500 Product Shots in One Afternoon
Workflow Automation

How I Built a Batch System That Processed 500 Product Shots in One Afternoon

A few years back, a mid-size e-commerce client called me on a Thursday afternoon with a problem. They had 500 product images, a Monday deadline, and a retoucher who’d just quit. The files needed background removal, color correction to match their brand standard (a very specific warm neutral, roughly 245/238/228 in RGB), resizing to four different output dimensions, and sharpening optimized for web. Four distinct operations, 500 images, 72 hours.

Beyond Actions: How Automation Scripts Actually Work in Photoshop (And Why the Difference Matters)
Workflow Automation

Beyond Actions: How Automation Scripts Actually Work in Photoshop (And Why the Difference Matters)

The job that broke me was 200 product images, all needing the same crop-and-resize sequence for a client’s e-commerce catalog. I sat there for six hours clicking the same four menu items in the same order, watching my afternoon dissolve into a kind of professional purgatory. By image 140, I made myself a deal: I would spend whatever time it took that weekend to make sure this never happened again.

What CLUTs Actually Do to Your Pixels (And Why Your Color Grades Keep Falling Apart)
Color Grading

What CLUTs Actually Do to Your Pixels (And Why Your Color Grades Keep Falling Apart)

Last spring I was onboarding a new e-commerce client, a mid-size apparel brand, and their in-house retoucher handed me a folder of 300 product images that had already been “color graded.” Every single one looked different. Same white background, same product line, same photographer. Three hundred shots, and the whites ranged from warm cream to cool blue-grey depending on which mood the retoucher had been in that week. When I asked what process they were using, the answer was: adjustment layers, applied manually, by eye, one image at a time.